Annette Foster
2009-2011 |
PGCE Professional Graduate Certificate of education in Life Long Learning, Nottingham Trent University, Nottingham |
1996-2000 |
MFA
Multimedia Performance Art and Painting, Arizona State
University, Tempe, AZ. USA |
Sum.
1998 |
Solo
Performance, Deep Creek School of Art, Telluride, CO.
USA |
1994-1996 |
BA
Painting, Montana State University, Bozeman, MT. USA |
1990-1993 |
Art
History and General Art Studies, University of Washington,
Seattle, WA. USA |
Teaching |
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2015- present |
Nottingham Trent University, Art and Design Short course tutor,
Courses developed: Contemporary Self-Portrait: Fine and Digital Art; Digital Photography for 15-17 year olds, Unfolding: the science of art and design and Experimental Life Drawing and Painting.
Responsibilities include: To manage, design and run short courses and undertake associated administrative responsibilities. To carry out daily lectures and practical demonstrations in visual arts studies and digital photography. |
2014-15 |
New College Nottingham, Contracted lecturer of Photography, Access to HE Art and Design Level 3
Responsibilities include: lectures and practical demonstrations in digital and darkroom photography, facilitation of weekly classes, student tutorials and assessment |
2010-present |
Course leader and lecturer Fine Art University of Arts London Diploma, New College Nottingham Responsibilities including, lecturers, practical demonstrations, facilitation of weekly classes, student tutorials, assessment, organization of student exhibitions, work placements and trips. enrolment and school liaison; participation in appropriate team and committee meetings; course management including interviewing and guidance, induction, assessment, retention and attendance, achievement and attainment of good examination results, student progress, placement and destination, monitoring, review and evaluation. |
2007-2010 |
Sessional lecturer Life Drawing, Intro to Video Art and Photography for Fine Art BTECH National Diploma, New College Nottingham. Responsibilities including, lecturers, practical demonstrations, facilitation of weekly classes, student tutorials and assessment |
2009-2010 |
Contracted Sessional lecturer Units taught- Exploring Visual Language, Exploring Materials , Techniques and Processes, Intro to Darkroom Photography, Intro to Animation, Intro to Multimedia Production and Intro to Textiles for Level 1 BTECH National Diploma Intro to Art, Design, Fashion and Media. Responsibilities including, lecturers, practical demonstrations, facilitation of weekly classes, student tutorials and assessment |
2009-2010 |
Sessional Lecturer Professional Practice for Level 3 Design BTECH National Diploma, New College Nottingham. Responsibilities including, lecturers, practical demonstrations, facilitation of weekly classes, student tutorials and assessment. |
Spring 2006 |
Guest Tutor, Performance and Live Art students, Nottingham Trent University, Bonington Building, Nottingham. Facilitated tutorials with third year students working with performance and live art |
2005 |
Lecturer,
Fine Art Elective: Bodies on Screen, Performance
and Live Art Program, Nottingham Trent University, Bonington
Building, Nottingham. Lecturer of an elective for second year Art
and Design courses concerning film and video theory and practical
video creation workshops. Responsibilities include creation of syllabus,
lectures, facilitation of weekly classes, assessment and student
tutorials. |
Collaborative Perofrmance |
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residencys and Art
Experience |
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2002-05 |
Forward
Thinking Fellowship, Future Factory, Bonington Gallery,Nottingham
Trent University, Nottingham UK. 32 month residency and £12,000
Bursary |
Oct.
2003 |
Residence
Artist with international performance company Reckless Sleepers,
part of the Now Festival, Preset Studio, Hockley, Nottingham, UK.
three week residency and 2 performances |
Aug.
2001 |
Seattle
Festival of Alternative dance and Improvisation, Five-day
intensive with international artist Ishmael Houston-Jones and
various movement classes over 10 days. Seattle WA. USA |
2001-02 |
The
Field, Seattle: 2 Artist Workshops involving useful critical
feedback during the artistic process. Performance and Writing
for performance two 10-week sessions, culminating in a showing
for the public. Seattle, WA. USA |
2001 |
The
Field, Seattle: 2 Artist Workshops involving useful critical
feedback during the artistic process. Performance and Writing for
performance two 10-week sessions, culminating in a showing for the
public. Seattle, WA. USA |
2000 |
Internship
in graphic design, Performance Studies International
Conference, Institute for Studies in the Arts, Arizona State University,
Tempe, AZ. USA |
1999 |
Rachel
Rosenthal Performance Workshop, Institute for Studies in
the Arts, Tempe, AZ. USA |
1998 |
Angela
Ellsworth Performance Workshop, Arizona State University,
Tempe AZ. USA |
Art
Administration Experience |
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2009-2013 |
The Lace Market Gallery, New College Nottingham. Curator and facilitator of Nottingham’s only free exhibition space for emerging artists, designers and makers. This gallery is an exhibition space and for students and professional artists.
Responsibilities include: running the gallery including liaising with artists, external curators, and college staff, facilitating student run exhibitions, marketing, and running opening events |
2004-2007 |
Curator and Manger of Showroom: including The National Showroom and Trans-cabaret at Geisha Lounge A bi-annual artist run performance platform for emerging and more established live artists and performers in the UK, supported by Dance4 nd The Bonington Gallery, Nottingham, UK.
Responsibilities include: Organization and curation of a platform for performers in the UK. Duties also included programming, administration, marketing, promotion, ticket sales, postcard, poster, website and program design. |
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2004- 2007 |
Education
Co-ordinator, Future Factory at Bonington Gallery. Administers
and assist in the development and co-ordination of all education programmes
at The Bonington Gallery, that enhance and run alongside the exhibitions,
performance and events programme. This involves liaising with the
School and University staff as well as network with other organisations,
artists and the creative industries. This involves sourcing and applying
for funding for future and on-going projects, as well as monitoring
and evaluating all activity within the education programme for report
writing and data analysis. |
2002-04 |
Curator,
Organizer/Manager, Show Room: A Bi-Monthly Artist Run Performance
Venue, Dance Four, Preset, Hockley, Nottingham, UK |
Jan.-July
2004 |
Audience Development and seminar organization for Nottdance
2004, Dance 4, Hockley, Nottingham, UK |
Feb.-July
2004 |
Playing
in Public Spaces Manager, for the Performance Festival Weekend Break
a collaboration with Fierce. The Public, West Bromwich, UK.
Creation and Facilitation of a Series of Workshops, Lectures and Performances
for local college students to have artistic experiences with International
artists such as Gob Squad, Blast Theory and Sophia Clist’s project
Stretch |
1996-97 |
Research
Assistant, Undergraduate Advising, Arizona State University,
Tempe, AZ. USA
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Selected
Solo Performances |
2013-15 |
Research and Development of The Adventures of Super Aspie Girl. A solo multimedia performance looking at the human condition, identity, the senses, neuroscience and my own personal account of Autistic Spectrum Disorder. This project will include live art, dance, video, creative writing, costume design, object/prop making and installation. As part of the research and development for this project I will develop a series of workshops with children and young adults on the Autistic spectrum to design their own super hero costumes based on their passions and talents. All costumes will be handmade using various crafts such as appliqué, embroidery and sewing. If possible a video art piece and/or performance and live art piece will be made with some workshop participants. |
December 2012 |
Messages from the Sky one-to-one performance at the Lace Market Gallery Launch performance festival, Lace Market Gallery, Nottingham |
October 2012 |
Messages from the sky one to one performance as part of Hatch 12 at Embrace Arts, Demontford University |
July 2012 |
Messages from the Big Red Bus one to one performance as a part of for Hatch at the Hazard Festival, Manchester |
October 2011 |
Messages from the Sky one-to-one performance as part of an evening event for the British Art Show 7: In the Night of the Comet at the Nottingham Contemporary, Nottingham |
May 2010 |
Trangressions Trilogy: Marlene Dandy stage performance and one-to-one performance as part of the Behaviour Festival. The Arches, Glasgow, Scotland. |
Otober 2010 |
Excerpts from Transgressions Trilogy: Daddy Long Leggs as a part of HATCH for the Black/North Seas Skegness International Grand Finale. produced by the Arts Council, Embassy Theatre, Skegness, |
october 2010 |
Trangressions Trilogy: Marlene Dandy stage performance and one-to-one performance for Hatch Abroad part of the Nottdance Festival 2009. Nottingham Arts Theatre, Nottingham |
April 2009 |
Trangressions Trilogy: Marlene Dandy stage performance and one-to-one performance as a part of Method Lab Commission presentations, greenroom, Manchester |
March 2009 |
Transgression Trilogy Premiere of 3 stage pieces together; Trangressa, Daddy Long Leggs and Marlene Dandy as a part of a mini festival with Arnolfini Associate Artist Tom Marshman, titled Hello My Name is Sue How Do you Do? Arnolfini, Bristol |
October 2008 |
Destiny, as part of the Wickedly Twisted Weekend event at the Arnolfini, Bristol |
September 2008 |
Transgressions Part 1:Transgressa stage performance and Transgressa's Transformations one- to-one performance, for Emergency, the greenroom, Manchester |
May 2008 |
Transgressions Part 2: Passing stage performance and one-to-one performance, for Hatch, The Maze, Nottingham |
March 2008 |
Transgressions Part 2: Passing: Daddy Long Leggs (work in progress showing) , Dance 4 Platform, Sanfield Centre, Nottingham |
Oct. 2007 |
Transgressions: Transgressa stage performance and one-to-one performance, commissioned for Hurley Burley, part of Derby Festé, Derby Dance and The Quad, Déda Theatre, Derby |
September 2007 |
Transgressions Part 3: The Bearded Ballerina, The Circus of The Dancing Bear, Pitty Patty Club, The Social, Nottingham |
July 2007 |
Transgressions: Transgressa, Showroom 3:Trans-cabaret, Developed and Commissioned for The Bonington Gallery, Nottingham by Annette Foster and Sam Rose |
June 2007 |
Transgressions, Part 2: Transgressa work-in-progress showing as part of The Eight Cities Project: Spitting Women; Nottingham. The Bonington Gallery, Nottingham |
October 2006 |
Lace, commissioned for Hinterland, Trent River Boat, Nottingham |
March
2006 |
Desire,
as part of the VISU Festival, DSN, Dieppe, France |
August
2005 |
Desire, The Future Factory off-site projects, The Nottingham
Castle, Nottingham, UK |
Feb.
2005 |
Desire, The National Review of Live Art, Elevator, Arches
Theatre, Glasgow, Scotland,UK |
Nov.
2004 |
Desire,
work in progress Forward Thinking Fellowship showing, Bonington Gallery,
Nottingham, UK |
Oct.
2004 |
Critical
Platform: Alter Egos- Destiny: Annette Foster: Performance Lecture,
at Hull Time- Based Arts, Hull, UK |
April
2004 |
High
Tea, as part o f the Seen Festival , Leicester, UK |
April 2004 |
Venus Sightings,
As part of the Seen Festival, Leicester,UK |
Mar. 2004 |
High Tea,
Commissioned for the Sensitive Skin Festival, Bonington Gallery,
at Galleries o Justice, Nottingham, UK |
Nov.
2003 |
Destiny,
Forward Thinking Fellowship Showing, Powerhouse, Victoria Studios,
Nottingham Trent University, Nottingham, UK |
Oct.
2003 |
Destiny Dress
as part of Veiled presented by Showroom, Dance 4, and presented
at Angel Row Gallery, Nottingham, UK |
Mar. 2003 |
Venus Sightings,
Showroom, Dance 4 , Preset, Nottingham, UK |
Feb.-Mar. 2003
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Venus
Sightings, Commissioned for Sensitive Skin, Bonington Gallery,
in various outdoor public parks throughout Nottingham: The Castle,
The Arboretum and Wollaton Park |
Feb.
2003 |
The Venus
of Willendorf ,commissioned for Sensitive Skin, Future
Factory, Victoria Studios Nottingham, UK |
Dec. 2002 |
On Pins and
Needles. Forward Thinking Fellowship Launch, Powerhouse, Nottingham,
UK |
Dec.
2002 |
Juliett’s
Valentine 2, Showroom, Dance 4, Preset, Nottingham, UK |
May.
2002 |
Juliet’s
Valentine, The Field Showing, R.E.D., Seattle, WA. USA |
Nov.
2001 |
On
Pins and Needles, The Field Showing, R.E.D., Seattle, WA. USA
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Dec.
2000 |
Juliet and
the Venus of Willendorf, Doggie Bag- a participatory experiential
group show, Soil Gallery, Seattle WA. USA |
Mar.
2000 |
Virgin Mary
Whore, The 6th Annual Performance Studies International Conference,
Memorial Union Gallery, Arizona State University, Tempe, AZ. USA |
Feb.
2000 |
Drag Woman
2, Commissioned for Valentine’s a Drag, Phoenix
Art Museum, After Hours Program, Phoenix, AZ. USA |
Feb. 2000 |
Nobody Loves
A Bearded Lady (excerpts), Commissioned for, The Exotic Art
Show,Alwun House, Phoenix, AZ. USA |
Jan. 2000 |
Nobody Loves
A Bearded Lady, Masters Thesis, Prism Theatre, Tempe, AZ, USA |
Jan. 1999 |
Drag Queen
, Live Art Platform Benefit, Alwun House, Phoenix, AZ. USA |
Dec. 1998 |
Drag Woman,
Drama City, Tempe, AZ. USA |
Nov. 1998 |
The ToothFairy,
Mars Art Space, Phoenix, AZ. USA |
July
1998 |
Adventures
of Paranoia Girl, from “The World Makes Me Tired” series
Deep Creek open house, Telluride, CO. USA |
Mar.
1998 |
Corporeal
Realities, New Plays Festival, Nelson Fine Arts Center,
Tempe, AZ. USA |
Feb.
1998 |
Membrane,
“Media/ Morality/ Mortality,” ASU West Gallery, Glendale,
AZ |
Dec. 1997 |
Bloodline,
Icehouse, Phoenix, AZ. USA |
Oct. 1997 |
Adventures
of Organ Girl, Nelson Fine Arts Centre, Tempe, AZ. USA |
Feb.
1997 |
The
Tic Tac Suit, and A.A.A (An Affected Appearance) for Art on the
Edge of Fashion, Arizona State University Art Museum, Tempe,
AZ. USA
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Collaborative
Performance |
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June
2006 |
Shell,
Commissioned performance for an Installation by Susie McMurray, Pallant
House Gallery, West Sussex |
May
2004 |
Showroom:
Performance and Response, Nottdance 2004,
Bonington gallery, Nottingham, UK Collaboration with 4 other artist
Simone Kenyon, Tina Carter, Phillip Henderson and Mel Kirkham. Simone
Kenyon and I facilitated weekly workshops for one month, where artist
create time based pieces and respond to each others work in the form
of time-based work. |
2000 |
Candy, Annual
Candy Festival and Convention, Chicago, IL. USA Group show |
1999 |
Monkey,
Metrophobia Art Space, Phoenix, AZ. USA Group show |
1998 |
Annual Nathan
Cummings Traveling Competition, Harry Wood Gallery, Tempe, AZ. USA
Grop Show |
1998 |
Self-Indulgent
Fools, MUAB Gallery, Tempe, AZ. USA Group show |
1997 |
Contradictions,
ASU West Gallery, Glendale, AZ. USA Group show |
1997 |
Painting
is Dead, MUAB Gallery, Tempe, AZ. USA Group show |
1996 |
New Graduates
Exhibition, Harry Wood Gallery, Tempe, AZ. USA Group show |
1996 |
I Spy with My
Little Eye, Seven Doors Gallery, Bozeman, MT. USA Solo show |
1996
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Senior
Show, Student Gallery, Bozeman, MT. USA Group show |
1995 |
Getting
over Penis Envy, Exit Gallery, Bozeman, MT. USA Solo show |
2002 |
I am not your
bunny OMSK video festival, London,UK |
2002 |
I am not your
bunny RootX performance and Video Festival, Interactive Cable Television,
Hull Time Based Art, Hull ,UK |
Public
Center for Biofilm
Engineering, Montana State University, Bozeman, MT. USA An image
of this painting was also placed on a T-shirts and sold as a mascot
of the BioFilm department.
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Private
C.C. Devor,
Orano, MT . USA |
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Raffi and Serena
Goslanian, McKinney, TX. USA |
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Jay
and Sharon Hyma, Bozeman, MT. USA |
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Rudolf W.
Dietrich, Bozeman, MT. USA |
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John L. Hooton
& Dee Mast, Bozeman, MT. USA |
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2005 |
Arts Council
of England Funding for Desire, as individual artist, £5,000 |
2004 |
Arts
Council of England Funding for High Tea and Nettypage.org,
as individual artist, £5,000 grant |
2003 |
Arts
Council of England Funding for Destiny Dress, as individual
artist, £2,200 grant. |
2001-04 |
Forward Thinking
Fellowship, 12,000 Bursary, Bonington Gallery, Nottingham Trent University,
UK |
2000 |
Graduate
Tuition Scholarship, Arizona State University, Tempe, AZ. USA |
1996-2000 |
Regents
Academic Scholarship, Arizona State University, Tempe, AZ. USA |
1996-2000 |
Graduate
Scholar’s Award, Arizona State University, Tempe, AZ. USA |
1996 |
The
Golden Pencil Award, Outstanding Achievement in Painting, Montana
State University, Bozeman, MT. USA |
1996 |
Membership, Scholastic
Achievement, The Gamma Beta Phi Society |
1992 |
Juried
Art Scholarship, University of Washington, Seattle, WA USA |
Public
Lectures and Workshops |
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October
2004 |
Critical Platform:
Alter Egos: Brian Routh and Annette Foster: Performance Lecture Hull
Time- Based Arts, Hull, UK |
Janrary
2004
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Artist Workshop
“Character and Costume: Who have You always wanted to be.”
Bonington Gallery, Nottingham, UK |
Spring
2002 |
Guest
Lecturer, Contemporary Arts Program, Victoria Studios, Nottingham
Trent University |
Winter
2002 |
Have
you Seen Me? an interview television series, by Jorgem Morgensten
and Mac & Cheez Films, Seattle, WA. USA Interviewed about my life
and work. (Channel 77) |
Spring
2000 |
Commissioned
Guest Lecturer and Workshop Facilitator for Photo Fabrications, Photography
Department, Arizona State University, Tempe, AZ. USA |
Spring 1998 |
Guest Lecturer
and Workshop Facilitator for Photo Fabrications, Photography Department,
Arizona State University, Tempe, AZ. USA |
Fall 1998 |
Guest Workshop
Facilitator for Solo Performance, Theater Department, Arizona State
University, Tempe, AZ. USA |
Spring
1997 |
Guest
Lecturer, Introduction to Intermedia, Intermedia Department, Arizona
State University, Tempe, AZ. USA
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VIDEO: |
Non-linear
digital systems: Avid, Final Cut Pro, Premiere and Vegas Video Linear
Analog system: Video Toaster and ¾ decks
High-8 and Mini Digital Video Camera |
SOUND:
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Mini
Disk Recorder, DAT, Tascam Analog 8 track system and Sound Edit |
GRAPHIC
, WEB and DVD DESIGN: |
Program applicatins
used: Freehand, PhotoShop,, Dream Weaver, Fireworks, Adobe
InDesign and Encore. |
Helen Paris, Associate Professor, Performance Making, Stanford University, Theatre & Performance Studies and the division of Dance. TAPS: 551 Serra Mall, Memorial Hall, Stanford University, Stanford, California, USA 94305 curious@curious.com phone: +001 650.723.2576 |
Andrew Brown, Senior Lecturer Visual Art, Nottingham Trent University, Fine Art Department. Bonington Building Dryden St, Nottingham, UK NG1 4GG, andrew.brown@ntu.ac.uk phone: 0115 848 -8660 |
Tom Dick, Assistant Principal – Creative, Cultural and Digital Industries, New College Nottingham, 25 Stoney Street, The Lace Market, Nottingham, NG1 1PR tom.dick@ncn.ac.uk phone; 0115 912 5502 ext. 3806 mobile: 07515 996755
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